Nadine George-Graves (The University of California, San Diego, USA) – Editora

Oxford, Reino Unido. OXFORD University Press. ISBN: 9780199917495. 1016 págs.  Agosto de 2015. Encuadernado.

PVP EUR 168,00 (4% IVA incluido)

Ofrecemos un nuevo volumen de la serie OXFORD HANDBOOKS IN MUSIC. Podemos enviar información del resto de volúmenes disponibles.

Esta nueva obra de referencia sirve para contemplar, de forma muy variada, una colección de artículos que llevan la danza y el teatro, y cualquier arte escénica, a un nivel académico muy interesante, con ensayos de expertos jóvenes y más experimentados y que trabajan en los vértices más importantes de cada campo.

La escena contemporánea ha bebido de las fuentas históricas clásicas, desde los ritos paganos a los griegos o romanos, desde la Rusia Bolchevique a la Nicaragua post-Sandinista o la China de la revolución cultural, a través de temas como la raza, el género, la espacialidad, los rituales o la biopolítica, el amor y la estética, la historiografía o el teatro musical.

Todo cabe en este interesante texto, como puede verse en el índice que acompañamos, y todo dentro de la gran clase académica de esta colección de Oxford Handbooks.


Extracto del índice:


01. Nadine George-Graves: Magnetic Fields: Too Dance for Theater, Too Theater for Dance

Section I: In Theory/In Practice

02. Ann Cooper Albright, Split Intimacies: Corporeality in Contemporary Theater and Dance

03. Anita Gonzalez, Negotiating Theatrics: Dialogues of the Working Man

04. VK Preston, “How do I touch this text?”: Or, The Interdisciplines Between: Dance and Theatre in Early Modern Archives

05. Ray Miller, Dance Dramaturgy

06. Vida L. Midgelow, Some Fleshy Thinking: Improvisation, experience, perception

Section II: Genus (part 1)

07. Maiya Murphy, Fleshing Out: Physical Theater, Postmodern Dance, and Som[e]agency

08. Stacy Wolf and Liza Gennaro, Dance in Musical Theatre

09. Colleen Dunagan, Dance and Theater: Looking at Television’s Deployment of Theatricality Through Dance

10. Susan Leigh Foster, Why Not ‘Improv Everywhere’?

Section III: Genus (part 2)

11. Royd Climenhaga, A Theater of Bodily Presence: Pina Bausch and Tanztheater Wuppertal

12. Praise Zenenga, The Total Theater Aesthetic Paradigm in African Theater

13. Jane Baldwin, Jean Gascon’s Theatricalist Approach to Molière and Shakespeare

14. Marianne McDonald, Dancing Drama: Ancient Greek Theatre in Modern Shoes and Shows

Section IV: Historiographical Presence and Absence

15. Ketu H. Katrak, The Post Natyam Collective: Innovating Indian Dance and Theatre, Abhinaya and Multimedia

16. Odai Johnson, Dancing for Dionysus in the Year of Years

17. Erika T. Lin, A Witch in the Morris: Hobbyhorse Tricks and Early Modern Erotic Transformations

18. Esther Kim Lee, Designed Bodies: A Historiographical Study of Costume Design and Asian American Theatre

19. Ann Dils, Moving American History: An Examination of Works by Ken Burns and Bill T Jones

Section V: Place, Space and Landscape

20. Amy Strahler Holzapfel, Landscape Between Dance and Theatre: Meredith Monk, The Wooster Group, and The TEAM

21. Anne Flynn and Lisa Doolittle, Colonial Theatrics in Canada: Managing Blackfoot Dance During Western Expansionism

22. Sally Ann Ness, A Slip on the Cables: Touristic Rituals and Landscape Performance in Yosemite National Park

23. Michael Morris, Orientations as Materializations: the Love Art Laboratory’s Eco-Sexual Blue Wedding to the Sea

Section VI: Affect, Somatics and Cognition

24. Petra Kuppers, Social Somatics and Interactive Performance: Touching Presence in Public

25. Amy Cook, Bodied Forth: A Cognitive Scientific Approach to Performance Analysis

26. Sondra Horton Fraleigh, Images of Love and Power: Butoh, Bausch, and Streb

27. Darcey Callison, Thoughts on the Discursive Imagery of Robert Lepage’s Theatre

Section VII: Unruly Bodies

28. Patrick Anderson, A Slender Pivot: Empathy, Public Space, and the Choreographic Imperative

29. Halifu Osumare, Conjuring Magic as Survival: Hip-Hop Theater and Dance

30. Thomas Postlewait, ‘Court Wonder’: The Performances of the ‘Queen’s Dwarf’ in the Reign of Charles I

31. Krista Miranda, ‘What do Women Want, My God, What do They Want?’: Mimeses, Fantasy, and Female Sexuality in Ann Liv Young’s Michael

Section VIII: Biopolitics

32. Daphne P. Lei, Dance Your Opera, Mime Your Words: (Mis)translate the Chinese Body on the International Stage

33. E.J. Westlake, El Güegüence, post-Sandinista Nicaragua, and the Resistant Politics of Dancing

34. Jade Power Sotomayor, From Soberao to Stage: Afro-Puerto Rican Bomba and the Speaking Body

35. William Givens. Lindy Hop, Community, and the Isolation of Appropriation

Section IX: National Scales and Mass Movements

36. Sandy Peterson, Russian Mass Spectacle and the Bolshevik Regime

37. Marie Boyette, Movement Choirs and the Nazi Olympics

38. J.L. Murdoch, Talchum: Korea’s masked folk dance-drama

39. Kim Marra, Circus Echoes: Dancing the Human-Equine Relationship Under the Millennial Big Top

40. Neal Hebert, Capitol City Camp: Gay Carnival and Capitalist Display

Section X: Infection

41. Miriam Felton-Dansky, Borrowed Crowds: The Living Theatre’s Contagious Revolution

42. Marlis Schweitzer, The Salome Epidemic: Degeneracy, Disease, and Race Suicide

43. Virginia Anderson, Choreographing a Cause: Broadway Bares as Philathroproduction and Embodied Index to Changing Attitudes Toward HIV/AIDS

44. Michael Lueger, Dance and the Plague: Epidemic Choreomania and Artaud

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